Last Revised August 2014
I have worked in almost every department on movie sets, and found my passion in producing and assistant directing. In addition to working on sets, in 2012 I started Samaritan Casting, a casting and extras casting company serving Minnesota. I sold the company to my good friend and mentor John Hawkins in 2014.
My movie-making career started my senior year of high school (2003 - 2004) when I acted in, and later helped edit, monthly comedic videos for the school-wide assemblies. Despite my love for the art, I never suspected this hobby would continue after graduation.
In spring of my senior year, I acted in my school's theatrical production of The Music Man. Coincidentally, a local community theatre was also producing the musical at the same time, and even more coincidentally, one of my teachers was starring in their production. My friend and theatre mentor Peter Jerde and I went to watch, and afterward we met Matthew Feeney, a local actor and comedian. At the time, Matthew was producing his own sketch comedy TV show, The WaZoo! Show, and he invited me to attend one of their script reading sessions. Thus began my early stages of networking in independent film.
That summer, Matthew helped produce a low budget independent feature film called Stealing Summer, and through his connection I got involved as an associate producer ("low budget" in this case means low entry fee), an actor, and production assistant. When we saw the premiere that December, my name ended up being in the credits more than Matthew's!
A year later I worked for Matthew in extras casting for Fall Into Me, a larger small-budget indie feature. Being on set gave me great chances to network, and it was through one of these connections that I found my way onto the extras casting team for A Prairie Home Companion when it shot that July.
In summer 2006, after many months of preparation, Matthew produced and I directed my own 14-minute short film, Harry Putter and the Sorcerer's Phone. This was followed by the 31-minute sequel, Harry Putter and the Chamber Pot of Secrets, in summer 2007 (though, due to my school workload it took two years of post-production before it was finished).
Since Putter, I've been privileged to work on sets as a producer, line producer, assistant director, casting director, extras casting director, wrangler, grip/gaffer, script supervisor, media manager, art department, stand-in, and PA – just about everything except hair/makeup and wardrobe.
Part of why I love making movies is the chance to give back to the filmmaking community: years ago someone gave me my first chance to work on a movie set, and now I have a chance to give those same opportunities back to newcomer actors and crew.
I also see working on set as a ministerial opportunity. I don't care about "converting" anyone, that's not me. When I say "ministry" I mean being there to listen, to be a shoulder to cry on when one of my cast or crew is having an awful day. And that does happen. People appreciate being listened to.
Lastly, I love working on sets because, in many cases, the cast and crew become like family. Several of my life-long friendships have come from the people I worked with on Putter.
Many people in the Minnesota filmmaking community know that my friend Matthew plead guilty in 2013 to sexually abusing two minors that he knew through his work as a casting director. Because of this crime, and his prior convictions from two decades ago, Matthew is currently serving a 9-year prison term. Given this, you may wonder why I still choose to mention him and speak well of him above. The answer is two-fold. First, and most simply, Matthew is the reason that I ever had the opportunity to become involved in "real" filmmaking - he is part of my story, and to dis-include mention of his name would make my narrative incomplete. Second, he is my friend. Matthew made some incredibly poor choices that crossed both legal and moral boundaries, and affected not only his own life, but many other people's as well. For this he is serving his time in our legal system. I, however (apparently unlike so many others), am not a fair-weather friend. Even as my heart hurts for the victims, for Matthew, and his family, I will not abandon my friend, because what kind of person would that make me? I feel deeply sorry for the many, many people in this community who do not have friends who will stick by them in their own times of need.
Click on any title to watch the movie, see cast and crew, and read more about the production.
• 1.5 minutes
• Shot in 1 day in May 2012
• I support GLBT marriage equality
Minnesotans voted in November 2012 on a constitutional amendment trying to prevent marriage equality. On religious and personal moral grounds, I strongly opposed this anti-family, anti-marriage amendment, so when my friend Maggie approached me with a script for a "vote no" PSA, I immediately agreed to produce it. We shot for one day in May 2012, and this is what we made.
• 30 minutes
• Shot over 8 days in October and November 2011
• Still in post-production
Paperclip follows high school sleuth Jesse as she investigates several recent disappearances in her school. Not all is as it seems.
• 20 minutes
• Shot over 3 days in Spring 2011
The Vacationers is a darker version of It's a Wonderful Life. For me, the take-away message is a reminder that "to the world you may be one person, but to one person, you may be the world."
• 31 minutes
• Shot over 9 days from June 17 to July 3, 2007
• Premiered August 21, 2009
My second movie, Harry Putter and the Chamber Pot of Secrets was the sequel to my original Harry Putter and the Sorcerer's Phone, and over twice as long. This movie also featured dozens of special effects shots: magic wands, moving drawings on whiteboards, flu powder, and more.
• 14 minutes
• Shot over 9 days from June 25 to August 26, 2006
• Premiered May 4, 2007
My first movie. Harry Putter was born from one too many "did you know you look just like Harry Potter?" jokes. Yes, it's true, in my younger years I bore a striking resemblance to Daniel Radcliffe, so much so that, one day working in retail, a small child approached and asked for my autograph. After a simlar quip at a WaZoo! Show script reading in summer 2004, I started scratching down ideas for a parody, the story of the "real boy", Harry Putter, upon whom JK Rowling based her famous books. Two years and countless drafts later, we were shooting.
Role | Project | Year | Type |
---|---|---|---|
Assistant Director | Panda Jim Promo | 2012 | Commercial |
Line Producer / Casting Director | The Invitation | 2012 | Short |
1st Assistant Director | Lilies and Lullabies | 2011 | 48-Hour Film Project |
Writer / Producer / 1st Assistant Director | Paperclip | 2011 | Short |
Extras Casting | Rascal Flatts: "Nothing Like This" | 2011 | TV Special |
Producer | The Vacationers | 2011 | Short |
2nd Assistant Director / Editor | Mind's Eye | 2010 | 48-Hour Film Project |
1st Assistant Director | Zombie Homecoming | 2010 | 100-Hour Film Competition |
Producer / Director of Photography | Knock | 2008 | Short |
Extras Casting Assistant | Nobody | 2008 | Feature |
1st Assistant Director | Girl by the Fireplace | 2007 | Short |
Writer / Director / Producer | Harry Putter and the Chamber Pot of Secrets | 2007 | Short |
Producer / Director of Photography | Nothing Gold Can Stay | 2007 | 24-Hour Film Competition |
Writer / Director / Producer | Harry Putter and the Sorcerer's Phone | 2006 | Short |
Executive Producer | Icebreaker | 2006 | Feature |
Extras Casting Assistant | A Prairie Home Companion | 2005 | Feature |
Grip | Bestwestern Edgewater Resort | 2005 | TV Commercial |
Extras Casting Assistant | Fall Into Me | 2005 | Feature |
Editor | Nick Luyster's Publicity Videos | 2004 | Monthly Comedic Videos |
Role | Play | Year | Theatre |
---|---|---|---|
Sound and Lights Crew | AWAKEN | 2012 | Touring Mime Drama |
Production Manager / Assistant Technical Director | Madrigal Dinner 2005-2012 | 2012 | Minnehaha Academy |
Sound and Lights Crew | AWAKEN | 2011 | Touring Mime Drama |
Technical Director | The Wiz | 2011 | Hope Academy Theatre |
Sound and Lights Crew | AWAKEN | 2009 | Touring Mime Drama |
Assistant Technical Director | Singin' in the Rain | 2006 | Minnehaha Academy Theatre |
Assistant Stage Manager | Perpetua | 2004 | St. Olaf College Theatre |
Stage Manager / Light Board Op | The Miracle Worker | 2004 | Minnehaha Academy Theatre |
Writer and Director | The Proposal (Student Showcase one-act) | 2004 | Minnehaha Academy Theatre |
Stage Manager | Ah! Wilderness | 2003 | Minnehaha Academy Theatre |